Friday (June 25) was a hectic day for Ray Fulcher.
Fulcher obtained his start off penning hits with and for Luke Combs, and whilst the to start with good results he found in Nashville was as a songwriter, he’s always retained a single eye on the goal that brought him to town in the to start with put: To release region new music in his possess voice, below his have identify. In February, he made a key move in that direction when he signed to Black River Entertainment’s artist roster. On Friday, he took a different huge flip in direction of recognition as a performer, as he not only manufactured his Grand Ole Opry debut, but introduced a few new tunes, a single of which will head to country radio.
And while Fulcher admits he will get butterflies stepping on to a phase like the Opry — “If you are never, you’re not human,” he states — he tells Country Now that he’s feeling really certain-footed about the techniques he’s getting in developing his inventive id. Soon after all, his intestine has seldom steered him incorrect in advance of.
“There’s this sure experience that I just cannot truly set into text or pin down what that emotion is, but I just kinda know it when I really feel it,” Fulcher describes, when questioned how he decides what tracks to conserve for himself versus what tracks to pitch to other artists. “I generally have this specified sensation about a track that I imagine would be for me.”
His most recent three-music package — “Girl In It,” “Way Out” and “Bucket Listing Beers” — just about every in shape that invoice for diverse explanations. “Each 1 is type of a unique side of me — but not just about every aspect of me,” the singer elaborates.
“Way Out” speaks to his romantic relationship with his Georgia hometown, contrasting the travel he when felt to move away from it and try out his appear in Nashville, alongside a simultaneous pull to remain in the position he beloved.
“I always wanted to create a tune that embodied that force and pull, that rigidity. So the hook of that music is, ‘Why would I ever want a way out?’” he relates. “It’s the variety of matter the place it’s like, it’ll make you cuss, it’ll make you, like, ‘Man, I wanna leave.’ But the next you go away, it is like, ‘What am I undertaking?’”
In that tune and all his songs, Fulcher tries to strike a balance among clean lyrical point of view and relatability. Which is also a little something he honed in on in “Girl In It,” a music that he’s also preparing to make his new one at country radio.
“I actually preferred it to be ‘trademark’ me,” he clarifies. “That means, in my intellect, irrespective of whether it’s quickly or gradual, I want it to be hefty on lyric and seriously have a little something for the listener to get on to, come across on their own in…I required it to be a big sing-a-lengthy, I wished it to audio superior when you had your home windows down heading down the Interstate, but also I wished to make you consider a small bit and obtain you in it a small bit.”
The third new track, “Bucket Checklist Beers,” is a person Fulcher begun with Combs, with the concept that it would end up on just one of Combs’ documents. But ahead of they finished crafting it, Combs released “Beer Never Broke My Heart.”
“After that, it was form of like, he had his massive beer music, so we hardly ever actually obtained to finish it,” Fulcher describes. But he kept coming again to the track, and just after Combs gave Fulcher his blessing to end it solo, he did so, influenced by a dialogue with his dad, who was celebrating his retirement.
His composing partnership with Combs has been a finding out expertise, and one particular that certainly additional to the self-assurance he feels now in trusting his intestine to make superior possibilities about his musical job. Obtaining co-written hits like “When it Rains it Pours,” “Does to Me” and “Even While I’m Leaving,” he’s gotten a entrance-row seat to the journey a track can take from the writer’s home to the leading of the charts.
“I think for me it was just — around time, creating the finest tracks, picking tracks, noticing issues I liked…sometimes it is phrasing, at times it’s melody. It’s normally an concept that I love, and hopefully it’s sung in a minimal bit of a distinctive way,” he points out.
“The fascinating thing that I had to do — due to the fact I beloved all these tunes I wrote for Luke and for the reason that so several of them ended up also quite me — I experienced to figure out how I could nevertheless be me and produce these songs I adore but it be distinct than what we’re executing for Luke,” Fulcher points out, introducing that he hopes admirers will see the variances for by themselves if they evaluate the new audio he’s releasing to Combs’ discography.
“You can perhaps find some widespread emotions that may perhaps appear, or it’s possible there is a sort of track in this article or there which is very similar, but the objective is that they never feel quite similar at all,” he adds.
But Fulcher does not sound way too fearful. A practiced songwriter who’s gotten utilized to relocating by intuition, he’s learned that the ideal vocation moves are ones that he doesn’t have to overthink — the ones that arrive from the gut.